CAST MEMBER

Will Smith

Please Rewind

Will Smith

Please Rewind Talent Wall

Will Smith

Born 25 September 1968Philadelphia7 Movies in the store

Will Smith has built a screen career around an unusual flexibility: he can drive an action movie, loosen a scene with comedy and still make room for vulnerability when the story turns inward. Born in Philadelphia on September 25, 1968, Smith began rapping at 12 and first became widely known as part of DJ Jazzy Jeff & the Fresh Prince. His transition into acting took shape with the NBC sitcom The Fresh Prince of Bel-Air before film roles established him as a major leading man. The Please Rewind selection captures that rise particularly well. Bad Boys paired Smith with Martin Lawrence in 1995, giving his quick delivery and relaxed confidence an action framework. Men in Black then found an ideal use for his comic timing through Agent J, played opposite Tommy Lee Jones. Smith returned for Men in Black II, carrying forward the chemistry between the series’ mismatched partners. Enemy of the State placed him alongside Gene Hackman in a surveillance thriller, while I, Robot pushed him into science fiction built around technology and mistrust. Hitch gave Smith a romantic comedy showcase, drawing on the conversational ease that has remained central to his appeal. I Am Legend asked for something more solitary: Smith leads a film whose tension depends heavily on his ability to hold the screen with limited company. That combination of accessibility and star power has carried Smith across comedy, action, science fiction, drama, music and production. He portrayed Muhammad Ali in Ali and Richard Williams in King Richard, winning the Academy Award for Best Actor for the latter performance. He has also continued returning to earlier screen identities, including Bad Boys and Men in Black, while maintaining a music career that began before his film breakthrough. Across these movies, Smith’s defining quality is momentum. Whether trading jokes with a partner or carrying a high-concept story, he performs with a direct connection to the audience—energetic when the movie needs lift, controlled when the stakes become personal.