
CAST MEMBER

Please Rewind
Steve Martin
Please Rewind Talent Wall
Steve Martin
Steve Martin’s screen comedy often begins with composure and then tests how long that composure can possibly survive. Whether playing an exasperated traveller, a schemer or a father overwhelmed by family life, he has a gift for making precision and absurdity work together. Born on August 14, 1945, in Waco, Texas, Martin developed his performing skills through magic, juggling and balloon animals before finding a national audience as a comedy writer and stand-up performer. He wrote for The Smothers Brothers Comedy Hour, sharing an Emmy Award with the show’s writing team in 1969, and became a frequent presence on Saturday Night Live. After his stand-up career expanded to arena-sized audiences, he stepped away from it in 1981 to concentrate on movies. The Please Rewind selection catches Martin during a particularly rich stretch of that film career. The Man with Two Brains and All of Me continued his run of comedies directed by Carl Reiner, while Three Amigos paired him with Martin Short and Chevy Chase in a film Martin also co-wrote. His turn as the sadistic dentist Orin Scrivello in Little Shop of Horrors gave its musical mayhem an extra jolt. Then came two sharply different 1987 performances. In Planes, Trains and Automobiles, Martin joined John Candy for John Hughes’s travel comedy. In Roxanne, his adaptation of Cyrano de Bergerac, he starred and co-wrote the screenplay, earning a Writers Guild of America Award. Dirty Rotten Scoundrels placed him opposite Michael Caine under director Frank Oz, while Ron Howard’s Parenthood made room for a more grounded strain of family frustration. Father of the Bride became another defining showcase for Martin’s ability to turn anxiety, affection and escalating disorder into comedy. He later moved into animation as the voice of Hotep in The Prince of Egypt. Beyond acting, Martin’s work has continued across screenwriting, plays, fiction and banjo music—a varied career connected by an unmistakably off-centre comic sensibility.
On the shelf
Steve Martin MOVIES

The Prince of Egypt
A biblical blockbuster that thinks like a coming-of-age story — and still asks who we are when everything we know is taken away.
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Father of the Bride
A wedding film that’s really a one-man panic about letting go.
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Parenthood
Parenthood: family and parents protecting their children, and why this 1989 movie still matters.
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Dirty Rotten Scoundrels
Dirty Rotten Scoundrels: greed and consumerism, and why this 1988 movie still matters.
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Roxanne
Roxanne: family and love, and why this 1987 movie still matters.
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Planes, Trains and Automobiles
A road trip comedy that keeps its feet — and its heart — firmly on the tarmac.
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Three Amigos
A vaudeville-sized comedy about showmen who must learn to be something more than a good performance.
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Little Shop of Horrors
A doo‑wop musical about bad decisions, worse plants and one man’s awkward climb out of obscurity.
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All of Me
All of Me: authority and friendship, and why this 1984 movie still matters.
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The Man with Two Brains
The Man with Two Brains: love and authority, and why this 1983 movie still matters.
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