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Reese Witherspoon
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Reese Witherspoon
Reese Witherspoon has built a career around characters whose polish, determination or apparent sweetness often conceals something sharper. Born in New Orleans on March 22, 1976, she began acting young, taking the lead role of Dani Trant in The Man in the Moon after attending an open casting call in 1991. By the end of that decade, she had become especially good at finding the tension inside familiar screen types. Pleasantville gave Witherspoon the role of Jennifer, a popularity-minded 1990s teenager transported with her brother into the carefully ordered world of a 1950s television series. In Cruel Intentions, she played Annette Hargrove, the comparatively sincere figure caught in an elaborate game of manipulation. Election, released the same year, let her push ambition and comic precision much further as Tracy Flick, earning her Golden Globe and Independent Spirit Award nominations as well as Best Actress honors from the National Society of Film Critics. A supporting turn as Patrick Bateman’s girlfriend in American Psycho followed in 2000. Legally Blonde changed the scale of her career. As Elle Woods, Witherspoon made pep, style and relentless optimism feel like genuine strengths rather than punchlines. Her comic timing powered the film, while the character’s refusal to accept other people’s assumptions gave the performance its staying power. The role brought her another Golden Globe nomination and an MTV Movie Award for Best Comedic Performance. Her career has ranged well beyond comedy. Witherspoon played June Carter Cash in Walk the Line, performed her own vocals and won Best Actress at the Academy Awards, Golden Globes, BAFTAs and Screen Actors Guild Awards. She later produced Gone Girl and produced and starred in Wild, receiving a second Academy Award nomination for the latter. As a producer and television actor, she continued pursuing substantial female-led stories through projects including Big Little Lies, The Morning Show and Little Fires Everywhere. Across comedy, drama and satire, Witherspoon’s best work shares a clear quality: she understands how quickly a character can be underestimated, and how satisfying it is to watch that assumption fall apart.
On the shelf
Reese Witherspoon MOVIES

Legally Blonde
A very pink proof that being underestimated can be an advantage.
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American Psycho
A razor-sharp satire whose teeth still bite — mostly because Patrick Bateman never stopped talking.
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Cruel Intentions
Privilege, wagers and a girl who always knows the score.
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Pleasantville
A black‑and‑white town learns to blusher — and a teenager who knows the script is the only person trying to keep order.
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