
CAST MEMBER

Please Rewind
Mel Gibson
Please Rewind Talent Wall
Mel Gibson
Mel Gibson built his screen career on a combination of physical intensity, restless energy and an instinct for comedy that could surface even in the middle of an action scene. Born in Peekskill, New York, on January 3, 1956, he moved with his family to Australia at 12 and later studied at Sydney’s National Institute of Dramatic Art. His early work included the title role in Mad Max, followed by films that quickly showed more range than the action-hero label might suggest. That range is clear across several films featured by Please Rewind. In Peter Weir’s Gallipoli and The Year of Living Dangerously, Gibson worked in historical drama and romantic thriller territory, while Mad Max 2 and Mad Max Beyond Thunderdome made his hard-edged physical presence central to large-scale action filmmaking. The River, his first American film, placed him opposite Sissy Spacek as one of two struggling Tennessee farmers. Lethal Weapon changed the shape of his Hollywood career. As Martin Riggs, Gibson brought danger, volatility and comic timing to a role he returned to in Lethal Weapon 2 and Lethal Weapon 3. Tequila Sunrise offered another kind of crime drama, while Maverick gave his lighter side room to lead. By What Women Want, comedy was no longer an occasional detour but an established part of his screen persona. His 1990s work also included the thriller Ransom and voice acting as John Smith in Pocahontas, alongside appearances in Casper and the animated Chicken Run. Away from acting, Gibson expanded into producing, writing and directing. He made his directing debut with The Man Without a Face, then directed Braveheart, The Passion of the Christ, Apocalypto, Hacksaw Ridge and Flight Risk. Taken together, his career moves between Australian drama, Hollywood action, comedy, animation and ambitious work behind the camera—a filmography driven less by one fixed mode than by repeated shifts in scale and tone.
On the shelf
Mel Gibson MOVIES

What Women Want
A rom‑com with a literal ear for gender — and a lead who still makes its fantasy feel oddly persuasive.
PICK UP MOVIE →

Chicken Run
Ginger leads, the flock follows — and those chickens still make a terrific getaway.
PICK UP MOVIE →

Ransom
A father's public refusal to pay the ransom turns grief into a bounty — and a country into a jury.
PICK UP MOVIE →

Pocahontas
A Disney musical about curiosity, conflict and a face-off between trees and treasure.
PICK UP MOVIE →

Casper
A polite little ghost, a grieving girl and a 1990s effects trick that still feels like movie-magic.
PICK UP MOVIE →

Maverick
Poker, polish and one hell of a riverboat hustle.
PICK UP MOVIE →

Lethal Weapon 3
A proper buddy picture: Riggs, loyalty — and an opening explosion that really was a demolition.
PICK UP MOVIE →

Lethal Weapon 2
Diplomatic immunity, dangerous loyalty and one very unstable partner — Lethal Weapon 2 thrives on its personalities.
PICK UP MOVIE →

Tequila Sunrise
Tequila Sunrise: love and the safety of home, and why this 1988 movie still matters.
PICK UP MOVIE →

Lethal Weapon
A buddy cop movie with a suicide note in its pocket and an unpredictable heart.
PICK UP MOVIE →

Mad Max Beyond Thunderdome
A gladiator ring, a methane economy and one reluctant road warrior — Mad Max still knows how to make survival feel personal.
PICK UP MOVIE →

The River
The River: family and heroism, and why this 1984 movie still matters.
PICK UP MOVIE →

The Year of Living Dangerously
The Year of Living Dangerously: mortality and lifespan, and why this 1982 movie still matters.
PICK UP MOVIE →

Gallipoli
A sprinting friendship that runs straight into history — and doesn't let you look away.
PICK UP MOVIE →

Mad Max 2
Petrol, fury and a man who would rather ride away — Mad Max 2 still hits like a fistful of sand.
PICK UP MOVIE →